January 17 – February 15, 2020
Opening Reception: Friday, January 17, 7-10 pm
Ana Morningstar, Yasmeen Nematt Alla, Yahn Nemirovsky, Danny Welsh, Hannah Zbitnew with Lisette Markiewicz
Image: Hannah Zbitnew with Lisette Markiewicz
Download Essay by Emily Gove
Emotional Objects explores the transformative and affective potential of textiles. The works in the exhibition employ methods of construction, de-construction, and re-forming to re-imagine garments, samplers, and practical everyday items and affirm their potential to express emotions often unsaid. Through employing sensual experiences such as scent and touch, the works in the exhibition inquire trauma, queerness, witchcraft, and land sovereignty.
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Emotional Objects, 2020. Installation view, work by Yasmeen Nematt Alla, Yahn Nemirovsky, Hannah Zbitnew with Lisette Markiewicz in view. Photo credit: Polina Teif
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Emotional Objects, 2020. Installation view, Photo credit: Polina Teif
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Left: Hannah Zbitnew, The Absence of the Witch Doesn’t Negate the Spell, 2018. Right: Ana Morningstar, I Am Buying My Land Back One Bag At A Time & I am Getting A Receipt This Time, 2019. Photo credit: Polina Teif
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Ana Morningstar, I Am Buying My Land Back One Bag At A Time & I am Getting A Receipt This Time, 2019. Photo credit: Polina Teif
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Ana Morningstar, I Am Buying My Land Back One Bag At A Time & I am Getting A Receipt This Time, 2019. Photo credit: Polina Teif
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Ana Morningstar, I Am Buying My Land Back One Bag At A Time & I am Getting A Receipt This Time, 2019. Photo credit: Polina Teif
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Hannah Zbitnew with Lisette Markiewicz, The Absence of the Witch Doesn’t Negate the Spell, 2018. Photo credit: Polina Teif
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Hannah Zbitnew with Lisette Markiewicz, The Absence of the Witch Doesn’t Negate the Spell, 2018. Photo credit: Polina Teif
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Hannah Zbitnew with Lisette Markiewicz, The Absence of the Witch Doesn’t Negate the Spell, 2018. Photo credit: Polina Teif
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Hannah Zbitnew with Lisette Markiewicz, The Absence of the Witch Doesn’t Negate the Spell, 2018. Photo credit: Polina Teif
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Hannah Zbitnew with Lisette Markiewicz, The Absence of the Witch Doesn’t Negate the Spell, 2018. Photo credit: Polina Teif
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Hannah Zbitnew with Lisette Markiewicz, The Absence of the Witch Doesn’t Negate the Spell, 2018. Photo credit: Polina Teif
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Hannah Zbitnew with Lisette Markiewicz, The Absence of the Witch Doesn’t Negate the Spell, 2018. Photo credit: Polina Teif
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Yahn Nemirovsky, The Sampler in Your Pocket is a Thing Well Kept, 2019 – 2020. Photo Credit: Polina Teif
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Yahn Nemirovsky, The Sampler in Your Pocket is a Thing Well Kept, 2019 – 2020. Photo Credit: Polina Teif
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Yahn Nemirovsky, The Sampler in Your Pocket is a Thing Well Kept, 2019 – 2020. Photo Credit: Polina Teif
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Danny Welsh, Behind Closed Doors, 2019. Photo Credit: Polina Teif
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Danny Welsh, Behind Closed Doors, 2019. Photo Credit: Polina Teif
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Danny Welsh, Behind Closed Doors, 2019. Photo Credit: Polina Teif
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Danny Welsh, Behind Closed Doors, 2019. Photo Credit: Polina Teif
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Danny Welsh, Behind Closed Doors, 2019. Photo Credit: Polina Teif
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Left: Yahn Nemirovsky, The Sampler in Your Pocket is a Thing Well Kept, 2019 – 2020. Photo Credit: Polina TeifRight: Danny Welsh, Behind Closed Doors, 2019. Photo Credit: Polina Teif
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Yahn Nemirovsky, The Sampler in Your Pocket is a Thing Well Kept, 2019 – 2020. Photo Credit: Polina Teif
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Yahn Nemirovsky, The Sampler in Your Pocket is a Thing Well Kept, 2019 – 2020. Photo Credit: Polina Teif
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Yahn Nemirovsky, The Sampler in Your Pocket is a Thing Well Kept, 2019 – 2020. Photo Credit: Polina Teif
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Emotional Objects, 2020. Installation view, Shock blankets by Yasmeen Nematt Alla in view. Photo credit: Polina Teif
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Emotional Objects, 2020. Installation view, Shock blankets by Yasmeen Nematt Alla in view. Photo credit: Polina Teif
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Emotional Objects, 2020. Installation view, Shock blankets by Yasmeen Nematt Alla in view. Photo credit: Polina Teif
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Emotional Objects, 2020. Installation view, Shock blankets by Yasmeen Nematt Alla in view. Photo credit: Polina Teif
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Emotional Objects, 2020. Installation view, Shock blankets by Yasmeen Nematt Alla in view. Photo credit: Polina Teif
