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<channel>
	<title>xpace cultural centre</title>
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	<link>http://www.xpace.info</link>
	<description></description>
	<lastBuildDate>Sat, 28 Jan 2012 19:59:10 +0000</lastBuildDate>
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		<title>WingDing: ART SUPPLY SWAP</title>
		<link>http://www.xpace.info/events/wingding-art-supply-swap/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wingding-art-supply-swap</link>
		<comments>http://www.xpace.info/events/wingding-art-supply-swap/#comments</comments>
		<pubDate>Sat, 28 Jan 2012 19:59:10 +0000</pubDate>
		<dc:creator>Alicia</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://www.xpace.info/?p=1426</guid>
		<description><![CDATA[Did you resolve to de-clutter in the New Year? Are you swimming in supplies and junk and don&#8217;t have enough space to get down to bizzness? Or maybe just too broke from the Holidays to buy the supplies you really need? If so, come on down to XPACE&#8217;s ART SUPPLY SWAP! Bring your new and [...]]]></description>
			<content:encoded><![CDATA[<p>Did you resolve to de-clutter in the New Year? Are you swimming in supplies and junk and don&#8217;t have enough space to get down to bizzness? Or maybe just too broke from the Holidays to buy the supplies you really need?</p>
<p>If so, come on down to XPACE&#8217;s ART SUPPLY SWAP!</p>
<p>Bring your new and useless, or gently used and collecting dust supplies. Meet, greet and swap with other artists to get what you REALLY wanted for Christmas. We all have leftover gesso or weird pens from a class or a well meaning (but misinformed) aunt taking up space in our tiny studios. Bring it here.</p>
<p>We will accept paper, pens, paint, ink, markers, crayons, pencil crayons, brushes, canvas, material, thread, tools, collage resources, clay, sculpey, etc etc etc</p>
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		<item>
		<title>It Happened in the Woods</title>
		<link>http://www.xpace.info/xbase/it-happened-in-the-woods/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=it-happened-in-the-woods</link>
		<comments>http://www.xpace.info/xbase/it-happened-in-the-woods/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 22:54:33 +0000</pubDate>
		<dc:creator>Cam</dc:creator>
				<category><![CDATA[Xbase]]></category>

		<guid isPermaLink="false">http://www.xpace.info/?p=1437</guid>
		<description><![CDATA[Patricia Beattie transforms Xbase into an enchanted coniferous wood using trees and stoneware clay. Viewers will find themselves in a set like environment, engaging with the sounds, smells and mood of the woods. The construction and placement of clay slab silhouettes determines a loose dream narrative, triggering a self-awareness by viewers moving within the space [...]]]></description>
			<content:encoded><![CDATA[<p>Patricia Beattie transforms Xbase into an enchanted coniferous wood using trees and stoneware clay. Viewers will find themselves in a set like environment, engaging with the sounds, smells and mood of the woods. The construction and placement of clay slab silhouettes determines a loose dream narrative, triggering a self-awareness by viewers moving within the space of a staged dream.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MAGNETIC IMPULSES</title>
		<link>http://www.xpace.info/mainspace/magnetic-impulses/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=magnetic-impulses</link>
		<comments>http://www.xpace.info/mainspace/magnetic-impulses/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 22:13:52 +0000</pubDate>
		<dc:creator>Cam</dc:creator>
				<category><![CDATA[Main Space]]></category>

		<guid isPermaLink="false">http://www.xpace.info/?p=1430</guid>
		<description><![CDATA[The artists in Magnetic Impulses focus on creating tactile surfaces in their works.  These paintings and sculptures explore a combination of natural and manufactured forms.  Bone, hair, smoke and rocks coexist with manufactured materials: plastic pipes, children’s toys and styrofoam.  In an endless process, artists Jaime Angelopoulos, Kali Fisher, Ariel Kellett and Derrick Piens display [...]]]></description>
			<content:encoded><![CDATA[<p>The artists in Magnetic Impulses focus on creating tactile surfaces in their works.  These paintings and sculptures explore a combination of natural and manufactured forms.  Bone, hair, smoke and rocks coexist with manufactured materials: plastic pipes, children’s toys and styrofoam.  In an endless process, artists Jaime Angelopoulos, Kali Fisher, Ariel Kellett and Derrick Piens display evidence of their on-going material explorations.</p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The &#8220;RedOne&#8221; Project</title>
		<link>http://www.xpace.info/windowspace/the-redone-project/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-redone-project</link>
		<comments>http://www.xpace.info/windowspace/the-redone-project/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 17:00:12 +0000</pubDate>
		<dc:creator>Alicia</dc:creator>
				<category><![CDATA[Window Space]]></category>

		<guid isPermaLink="false">http://www.xpace.info/?p=1434</guid>
		<description><![CDATA[A commentary on waste culture and decay, Fabian Mosquera’s The “RedOne” Project is a sculpture built from four months of accumulated waste adhered to a dress and placed on a mannequin bust. As the dress spills into its surrounding garbage filled environment, it represents the waste our culture accumulates everyday, mounting in ever larger quantities [...]]]></description>
			<content:encoded><![CDATA[<p>A commentary on waste culture and decay, Fabian Mosquera’s <em>The “RedOne” Project </em>is a sculpture built from four months of accumulated waste adhered to a dress and placed on a mannequin bust. As the dress spills into its surrounding garbage filled environment, it represents the waste our culture accumulates everyday, mounting in ever larger quantities while consumer culture never subsides. Not only do the things we buy become part of our identity, but the things we throw away as well.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>WingDing: ZINE ZONE</title>
		<link>http://www.xpace.info/events/zine-zone/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=zine-zone</link>
		<comments>http://www.xpace.info/events/zine-zone/#comments</comments>
		<pubDate>Sat, 17 Dec 2011 20:01:35 +0000</pubDate>
		<dc:creator>Alicia</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://www.xpace.info/?p=1423</guid>
		<description><![CDATA[You are soooooo invited to XPACE&#8217;s second annual Zine Fair! Just in time for the holidaze, pick up great handmade items from local artists. There will be zines, comics, bookworks, prints, knit and crochet items, crafts aaaand incredible edibles. etc etc etc! neat stuff. ALso to delight your senses, musical stylings by: DJ taz&#8217;s_mom_butters_ (Sarah [...]]]></description>
			<content:encoded><![CDATA[<p>You are soooooo invited to XPACE&#8217;s second annual Zine Fair!</p>
<p>Just in time for the holidaze, pick up great handmade items from local artists. There will be zines, comics, bookworks, prints, knit and crochet items, crafts aaaand incredible edibles. etc etc etc! neat stuff.</p>
<p>ALso to delight your senses, musical stylings by:<br />
DJ taz&#8217;s_mom_butters_ (Sarah Butterill)<br />
DJ AS IS (Cameron Lee)<br />
MC Escher (Arielle Gavin)</p>
<p>COME on down! We got what you need.</p>
<p>Poster by Matt King!</p>
]]></content:encoded>
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		<item>
		<title>WingDing: COLLAGE &amp; MAIL ART PARTY</title>
		<link>http://www.xpace.info/events/wingding-collage-mail-art-party/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wingding-collage-mail-art-party</link>
		<comments>http://www.xpace.info/events/wingding-collage-mail-art-party/#comments</comments>
		<pubDate>Sat, 10 Dec 2011 18:10:03 +0000</pubDate>
		<dc:creator>Alicia</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://www.xpace.info/?p=1418</guid>
		<description><![CDATA[Hear ye Hear ye, CUT AND PASTE your way to fame, right this way, XPACE will be hosting an afternoon of Collage and Mail Art making. Totally broke for the holidays? No problem! Make something special to give to your people, or send some REAL mail to friends and family far away. We will provide [...]]]></description>
			<content:encoded><![CDATA[<p>Hear ye Hear ye,</p>
<p>CUT AND PASTE your way to fame, right this way,</p>
<p>XPACE will be hosting an afternoon of Collage and Mail Art making. Totally broke for the holidays? No problem! Make something special to give to your people, or send some REAL mail to friends and family far away. We will provide some scissors, glue sticks, paper and source material, as well as envelope templates and stamps!</p>
<p>We will be screening &#8216;How to Draw a Bunny&#8217; a documentary about legendary collage and mail artist Ray Johnson.  http://en.wikipedia.org/wiki/Ray_Johnson</p>
<p>We encourage you to bring:</p>
<p>MAGAZINES, BOOKS, PHOTOCOPIES, FOUND GARBAGE, FABRIC, GLUE STICKS, EXACTO KNIVES, SCISSORS, ENVELOPES, PAPER etc</p>
<p>*Value Village, Salvation Army, Reference Library used book store (at Bloor and Yonge) are all great places to find magazines and books to cut up!</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fans Forever</title>
		<link>http://www.xpace.info/curatingtexts/fans-forever/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=fans-forever</link>
		<comments>http://www.xpace.info/curatingtexts/fans-forever/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 18:56:45 +0000</pubDate>
		<dc:creator>Alicia</dc:creator>
				<category><![CDATA[Curating Texts]]></category>

		<guid isPermaLink="false">http://www.xpace.info/?p=1414</guid>
		<description><![CDATA[There&#8217;s something grim about the idea of a reading list. Maybe it&#8217;s a symptom of being scarred early by music magazines: THE TOP 20 BANDS OF ROCK HISTORY! TEN ESSENTIAL GUITAR SOLOS YOU MUST HEAR! etc. and whatever. I&#8217;ve always resented it when people who are, at root, &#8216;fans&#8217; start occupying this position of authority. [...]]]></description>
			<content:encoded><![CDATA[<p>There&#8217;s something grim about the idea of a reading list. Maybe it&#8217;s a symptom of being scarred early by music magazines: THE TOP 20 BANDS OF ROCK HISTORY! TEN ESSENTIAL GUITAR SOLOS YOU MUST HEAR! etc. and whatever. I&#8217;ve always resented it when people who are, at root, &#8216;fans&#8217; start occupying this position of authority. The dilution of judgement into mere liking seemed somehow to lack the seriousness that I feel the world, in all its wonder, deserves.</p>
<p>Of course resenting this phenomenon from the age of printed magazines now appears quaint.  At this stage one longs for the tenuously justified &#8220;criticism&#8221; of professional music journalists &#8211; drowning as we are beneath mucousy sea of opinion all too freely offered and all too horribly available through blogs &#8211; a word whose phonal qualities can&#8217;t but summon to mind a throat clearing expectoration.</p>
<p>So when I was asked to submit a list of texts for the XPACE curated library I returned to whatever sense of justification a reactionary mind could cling to. Reproduced here are large parts of readers from my Undergraduate classes.</p>
<p>I want you to trust me here: everyone who has actually contributed readings to this reading list has a PhD. These people are experts. Within their areas of specific competence these people might be the most expert the world can produce. This selection of readings is, in effect, licensed by major academic institutions &#8211; these are horribly legitimate opinions.</p>
<p>The university reader is a weird thing and itself probably a dying archaism today. These poor documents copied and copied, passing for the third and fourth times through the bowels of the document feeder at Alicos on College Street long to rest. Buried under layers of marginalia, circulated from the Library original through the first generation of photocopies and passed on to the next, dust and fingerprints on the platten glass, edges and borders of original pages, enlargements and contractions, notes and underlines both profound and baffling. These poor edifying documents that in the end may be barely legible through all the sedimented and encrusted legitimacy that clouds the copy. Tied to an endless wheel of reincarnation through reproduction these readers were born anew every semester to travel their own weird path.</p>
<p>And of course, that weird path included me. These selections might have originated with a PhD but obviously I&#8217;ve chosen what to include. The first selection I made was in 2003 and when I put all the things I thought I would ever want to see again into a box and put everything else from University into a grey bin for recycling. The second selection came sitting at my desk with a scanner and the phrase &#8220;I don&#8217;t have time for this shit&#8221; hovering over my head while Adobe Acrobat crashed for the fourth time after scanning 100 or so pages. The present selection represents about 1/4 of the surviving reading material I salvaged from University. How much of it I remember and how much I then and now merely mechanically processed is anyone&#8217;s guess.</p>
<p>Of course, that these opinions are licensed by academia this way means increasingly little. After all, it&#8217;s hard to devote your life to studying something you don&#8217;t care about &#8211; even the pros are always and eternally just &#8216;fans.&#8217;</p>
<p>Fans forever.</p>
<p>Steve Kado<br />
Steve Kado graduated with a Ba (Hons.) in Semiotics from U of T in 2003. He founded the Blocks Recording Club in 2003 with Mark McLean. In 2010 he picked up an MFA in Art at CalArts. He&#8217;s been living in Copenhagen and Los Angeles for most of the last four years. His talks, installations, photo and publication work has been widely exhibited in Europe, North America and Oceania. He co-hosts Talking Show, a show for talking, on Los Angeles&#8217; KCHUNG radio with composer Nicolas G Miller.</p></div>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Dance Your Pants Off: A Closing Party</title>
		<link>http://www.xpace.info/uncategorized/dance-your-pants-off-a-closing-party/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dance-your-pants-off-a-closing-party</link>
		<comments>http://www.xpace.info/uncategorized/dance-your-pants-off-a-closing-party/#comments</comments>
		<pubDate>Wed, 09 Nov 2011 23:00:15 +0000</pubDate>
		<dc:creator>Alicia</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.xpace.info/?p=1406</guid>
		<description><![CDATA[~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~! XPACE will be hosting an UNDERWEAR DANCE PARTY* for the closing reception of Lindsay Denise’s “Dancing With Myself &#38; Others,” which has been on display for the past 4 weeks. Attendees are encouraged to participate in the exhibit through exhibitionism and share their groovy moves. DJ FoodCourt will take the lid off your id [...]]]></description>
			<content:encoded><![CDATA[<p>~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!<br />
XPACE will be hosting an UNDERWEAR DANCE PARTY* for the closing reception of Lindsay Denise’s “Dancing With Myself &amp; Others,” which has been on display for the past 4 weeks. Attendees are encouraged to participate in the exhibit through exhibitionism and share their groovy moves.</p>
<p>DJ FoodCourt will take the lid off your id and dish out the dirty dance-pop ditties you &#8230;secretly crave. Feast on guilty pleasures from across the decades as we launch the bedroom dance party into XPACE.</p>
<p>FEATURING:</p>
<p>OCADU Hip-Hop Collective, I.B. Scene to kick-off the night with a freestyle throw-down! Starting at 8:00pm.</p>
<p>OCADU Zine Collective will be selling zines made by OCAD U students, showing samples of the zines from their library, and teaching people how to make a quick book with just a 8.5 x 11 sheet of paper and a pair of scissors.</p>
<p>*Dress code is definitely not mandatory! Wear what makes you comfortable!</p>
<p>**************************<wbr>**************************<wbr>******************</wbr></wbr></p>
<p>ABOUT:</p>
<p>“Dancing With Myself &amp; Others,” by Lindsay Denisewith documentation by Jenna Denise, a 2nd year Photography student at Ryerson University.</p>
<p>I.B. Scene Hip-Hop Collective:<br />
&#8220;Determined to keep Hip-Hop culture active within the OCAD U and Toronto community. As a group, we intend to participate in social Hip-Hop events in the school and around the city. Our goal is to facilitate the spread of Hip-Hop through graffiti, DJing, MCing, and Breakdancing events and workshops.&#8221;<br />
An exhibition throwdown that I.B. Scene did in May this year:<br />
<a onmousedown="UntrustedLink.bootstrap($(this), &quot;hAQG-yE-r&quot;, event, bagof({}));" href="http://www.youtube.com/watch?v=ako1FeVfLmI" rel="nofollow nofollow" target="_blank">http://www.youtube.com/wat<wbr>ch?v=ako1FeVfLmI</wbr></a></p>
<p>OCADU Zine Collective:<br />
“We are a collective of zine makers. Zines (rhymes with beans) are<br />
little handmade self-published magazines that are made by artists,<br />
writers and other folks who want to share something with a community of people. Our group brings together people who are interested in making zines and beginners are very welcome. When we meet, we usually work on making zines but we are also planning workshops, a zine swap and a zine fair in March.”</p>
<p>&nbsp;</p>
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		</item>
		<item>
		<title>Love in Translation</title>
		<link>http://www.xpace.info/mainspace/love-in-translation/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=love-in-translation</link>
		<comments>http://www.xpace.info/mainspace/love-in-translation/#comments</comments>
		<pubDate>Mon, 07 Nov 2011 18:41:18 +0000</pubDate>
		<dc:creator>Cam</dc:creator>
				<category><![CDATA[Main Space]]></category>

		<guid isPermaLink="false">http://www.xpace.info/?p=1363</guid>
		<description><![CDATA[Love in Translation is a series of multi-disciplinary works; all mediations on love, in all its varied forms. Representations of love as cliché in popular cinema is taken out of context, intimacy has its candour overthrown through monumental and material repetition, and the compiled memories of a family in conversation about divorce; each artist explores [...]]]></description>
			<content:encoded><![CDATA[<p><em>Love in Translation</em> is a series of multi-disciplinary works; all mediations on love, in all its varied forms. Representations of love as cliché in popular cinema is taken out of context, intimacy has its candour overthrown through monumental and material repetition, and the compiled memories of a family in conversation about divorce; each artist explores the malleability of human vulnerability, both candidly and publicly.</p>
<p>XPACE acknowledges the Province of Nova Scotia and Goldsmith&#8217;s University for their support.</p>
<p><a href="http://www.xpace.info/wp-content/uploads/2011/11/GoldsmithsTIFF.jpg"></p>
<p></a></p>
<p>&nbsp;</p>
]]></content:encoded>
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		<item>
		<title>Synthetic Phenomena</title>
		<link>http://www.xpace.info/xbase/paperweights-and-other-occupants/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=paperweights-and-other-occupants</link>
		<comments>http://www.xpace.info/xbase/paperweights-and-other-occupants/#comments</comments>
		<pubDate>Mon, 07 Nov 2011 15:27:40 +0000</pubDate>
		<dc:creator>Cam</dc:creator>
				<category><![CDATA[Xbase]]></category>

		<guid isPermaLink="false">http://www.xpace.info/?p=1367</guid>
		<description><![CDATA[Synthetic Phenomena is an ongoing experimental process, where refuse, construction and building material off-cuts become sumptuous, delicious slabs of eye-candy. Through a cave-like environment, with cross sections of materials revealing the process of building as both ongoing and integral to the landscape created.]]></description>
			<content:encoded><![CDATA[<p><em>Synthetic Phenomena</em> is an ongoing experimental process, where refuse, construction and building material off-cuts become sumptuous, delicious slabs of eye-candy. Through a cave-like environment, with cross sections of materials revealing the process of building as both ongoing and integral to the landscape created.</p>
]]></content:encoded>
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